Search: Starring Martin Sheen

A competent effort that ensures the franchise - and [Webb's] reputation - are safe, it's just a shame it doesn't soar.

Occasionally veers into trite territory and the climax involves a big rousing speech, but it’s all very charming and intelligent.

Undoubtedly, a masterpiece, this three-and-a-half hour version puts body on the flesh of what was already a great movie.

The cinematography, making the most of stark landscapes and wide open spaces, is often breathtaking.

Estevez uses Bobby’s words too much, but you can’t blame him, because Kennedy’s compassion and sympathy for the underprivileged shines.

It's never dull and always looks good, although the Sixties have become the Fifties - not a hippie, or civil rights marcher in sight

After messy, overblown mishaps like Gangs Of New York, the maestro of Mean Streets is back. With a vengeance.

Martin Sheen is superb in the central role, delivering a carefully judged, downbeat performance that emphasises Slovik's ordinariness.

Ben Kingsley excels as the unassuming hero who leads his countrymen to freedom from British rule using peaceful means, however you can't help but be disappointed by other aspects of the film.

Plemons’s performance captures the unease and guilt Mitchell feels, while reminding us that the agent is also putting on a performance during his meetings with O’Neal.

This is a largely tasteful, delicate look at the legend.

The most romantic thing about this movie is the lovingly shot images of Seattle.

The film is appallingly directed, exposing the actors to scenes of baffling embarrassment.

Every time we are afforded a glimpse of the outrageous figure, the film crackles with energy.

A truly rare opportunity to take a very personal journey into the life of one of Hollywood’s greats.

Quirky, moving and reflective, The Way also offers a long-overdue opportunity for a true screen icon to deliver a star turn.

Aaron Sorkin's scripts are witty, informative and character-driven.

A morality tale where the theme of loyalty looms large, but which also skewers the materialistic Eighties and the yuppie, money-obsessed brace-wearing capitalists who dominated it.